The Beginning: Gauja Valley Inspiration
Anete's journey into watercolor painting started during
childhood summers spent in the Gauja Valley. Her grandmother's
sketches of rural Latvian homesteads became a lasting
inspiration. Those early days watching the light change across
forested valleys shaped her entire artistic direction.
Formal Training & Early Career
She completed her formal training at the Latvian Academy of
Art in 2008, studying under renowned landscape painters who
specialized in Baltic environments. After graduation, Anete
spent five years working as a freelance landscape painter
while developing her teaching practice. This dual
focus—creating her own work while mentoring others—became the
foundation of her career.
Documenting Latvia's Artistic Heritage
Around 2015, Anete recognized something missing in Latvia's
art education landscape. There weren't many accessible,
expert-led resources specifically about painting Latvia's
unique environments—the windswept Baltic shores, the forested
countryside of Vidzeme, the medieval charm of Rīga's old
streets. That gap motivated her to start documenting her
knowledge and sharing it more widely.
Plein Air Leadership & Community Building
Over the past eight years, she's organized seasonal plein air
groups, mentored emerging artists in urban sketching
techniques within Rīga Old Town's medieval streets, and
contributed to several published guides on Baltic landscape
painting. Her seascape series—documenting the evolving Baltic
coastline—has been exhibited in galleries throughout Rīga and
Sigulda. She's become one of Latvia's most active plein air
instructors, with over 40 workshops led specifically in Gauja
National Park.
Current Role & Philosophy
At driplicious SIA, Anete leverages her extensive field
experience and deep connections within Latvia's artistic
community to produce content that genuinely serves watercolor
painters of all skill levels. Her approach emphasizes
authentic observation, respect for Latvia's natural heritage,
and the meditative qualities of watercolor work outdoors. She
believes that plein air painting isn't just a technique—it's a
way of truly seeing the landscape you're painting.